Monday, March 16, 2009

Kates Playground Heels





Teatro Massimo Vittorio Emanuele







" L’arte rinnova i popoli e ne rivela la vita. vano delle scene è where the beloved is not intended to prepararl'avvenire.
.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-. -.-.-.-.-.-.-.- These words, light-colored and clear are written at the top of the door of the theater "Massimo Vittorio Emanuele, Palermo. Uncertain are the opinions about the author from whom it was that inscription, engraved at the base of the gable above the neoclassical temple of opera in Palermo: Teatro Massimo Vittorio Emanuele. According to the historian, specialist in architecture, Rosario La Duca may have been dictated by Vincenzo Gioberti, or Perez.Giovanni Pirrone Francesco Paolo in his extensive study of the Teatro Massimo writes: "The epigraph SEEMS TOO DAPRESSO REFLECT THE THOUGHT THAT SOME OF HIS FATHER AND BASILE DETERMINISM DISCOVERED IN THE RELATIONSHIP BETWEEN ART, ARCHITECTURE AND SOCIETY. But then adds that it (The epigraph) NOT REGRET IT AT THAT MARQUES, Domenico Caracciolo, Viceroy of Sicily, THAT NIGHT VISION IN ITS EDUCATIONAL, a century before, he wanted to P alermo A NEW THEATRE FOR A NEW CITY .
( "-taken from http://cronologia.leonardo.it/storia/tabello tabe1605.htm)

may, also be true the hypothesis that the thought expressed is not a single hand or to be more precise, one mind, because it seems that the reference is due to Gioberti , alone, to mention a fact during the funeral of GBF Basile from 'assessor and municipal engineer of the time, Joseph Cimino, but there is one who gives the Gioberti only the first sentence: "The art renews the peoples and reveals its life "while the second" compartment of the scenes where the beloved is not intended to prepare for the future, "strictly educational content could be attributed, as a complement to the first, and put a message signature of his monumental work, by the same professor Ing Giovan Battista Filippo Basile. But nothing is certain, as indeed, doubts, mysteries, deeds and misdeeds is crowned the history of the Theatre of the Viceroy Domenico Caracciolo Palermo dream and those that remained. The interpretation of the phrase engraved on the pedagogical, the Teatro Massimo is to be considered valid for each theater, and recalls with opposite meaning the most famous phrases written at the top of the door of Dante's Inferno "Let all who enter" you might read, couched the message in a positive way: "You hope that gain more revenue." Quest'epigrafe sounds, as well as an unheeded warning, the fact men because they approach, and are introduced to art, to the scenes, not for pure enjoyment or anything, but as a true source of reflection is to approach the pure form of entertainment for this, I never go in vain. Urges, therefore, the commitment cultural, social and, let's say, the spiritual should be not only the continued commitment of the viewer, but most of those who undertakes the task of working in the entertainment world to bring hope and a future with hope solid moral basis.

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