Melodrama
unable to attend a play without thinking about what it can express, trying to take over that message also to the purely cultural, spiritual, in the form of overt or implied that you can always read, comment addition to the plots and search for originality narrate nelle varie opere, in queste pagine cercheremo di evidenziare la presenza del Divino, del sacro, cercando di cogliere quel messaggio spirituale che ogni singola opera può trasmettere, anche, dove sembra del tutto, assente. Non dobbiamo, mai, dimenticare che Dio è sempre presente in ogni persona, in ogni cosa, in ogni luogo, come leggiamo nel Sal.139 “Se salgo in cielo là, Tu, sei, se scendo negli inferi, eccoTi ”. Purtroppo non possiamo affrontare un’approfondita analisi musicale, ma cercheremo di presentare ai neofiti, un’analisi dei testi, rimandando all’ascolto di brani musicali, più complete circle so, to encourage them to listen to and analysis of this matter, for them, which is tricky opera. Without the musical expression, many works may appear, alone, the unnecessary stories of common life, history, fantastic, dramatic or comic, that is, but of common life. The opera, not appreciated by many, perhaps because of it, is considered the most complete music lover, the show where the story, the action, the word blend with the music and with it comes a unique, unbreakable performance. The music in the works, has the power to enhance the content of the text and, in our opinion, what to see in a story where, apparently, evil triumphs dominates or even the sacred. Obviously, the plots, which are taken from the booklets, as well as drawing influence from the European literature that have helped to disseminate, communicate lessons, so, more or less direct, and to draw the moral that, as mentioned, the music and sublingual stresses. It would be absurd, but works with more bloody if not thought out plots that can be expressed, only evil, evil, death, are in fact thrown up by the music, transcending mystical asceticism real events and sublimation. The music can thus be regarded as the "DEUS EX MACHINA"
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delle antiche tragedie greche, senza la quale la trama perderebbe il suo scopo, la sua identità.
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THE THEATRE OF OPERA .-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.- .-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.
the opera houses in Italy as well as being sources of culture, have accompanied our nation in its history. The unity of Italy, we can say, that was a main player ccompagnamento melodrama with his music, especially the works of G. GREEN. The locations of these peaceful battles were just the opera houses where the enthusiasm was fed first and indispensable weapon of the wars of independence. We will try in these pages to present some of these "temples of opera," together with the historical period that saw them born and grow up, trying not to neglect those of other nations who have seen the success of great musicians, including Italian. will start from the less important, at least in the history of opera ia not have that, in announcing major works of Italian opera, but certainly not poor earchitettonico.Iniziamo of historic theaters in Sicily Theatres in Palermo in Sicily there are vestiges of ancient Greek and Roman theaters, as Siracusa, Catania, Taormina, just to name a few, the same can not be said of Palermo where, only in recent times have come to light ancient relics in the area overlooking the royal palace, an old theater in use in the Norman period, but seems to be built in Roman times. Could not miss a theater at the court of Frederick II, a great lover of art and literature, in the Sicilian school, and this, if not the only one seems to be the greatest. Theaters of a certain relief that the memory is not only the names. Among the most important for the history of the city remain the Teatro Santa Cecilia, Teatro Bellini, politeama Garibaldi. tratro Biondo and the Teatro Massimo. U n theater the music made by 'arch. Paul Amato in 1681, was demolished in 1827 site and a private theater in the villa of the Prince of Castelnuovo is today, in the grounds of this villa, now the second half of last century, is acting as an outdoor theater used to summer productions of the autonomous entity Teatro Massimo. A Theatre, most recently, The National, working as a cinema until recently, located in the same square in front of the Politeama, unfortunately hosts
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delle antiche tragedie greche, senza la quale la trama perderebbe il suo scopo, la sua identità.
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THE THEATRE OF OPERA .-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.- .-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.
the opera houses in Italy as well as being sources of culture, have accompanied our nation in its history. The unity of Italy, we can say, that was a main player ccompagnamento melodrama with his music, especially the works of G. GREEN. The locations of these peaceful battles were just the opera houses where the enthusiasm was fed first and indispensable weapon of the wars of independence. We will try in these pages to present some of these "temples of opera," together with the historical period that saw them born and grow up, trying not to neglect those of other nations who have seen the success of great musicians, including Italian. will start from the less important, at least in the history of opera ia not have that, in announcing major works of Italian opera, but certainly not poor earchitettonico.Iniziamo of historic theaters in Sicily Theatres in Palermo in Sicily there are vestiges of ancient Greek and Roman theaters, as Siracusa, Catania, Taormina, just to name a few, the same can not be said of Palermo where, only in recent times have come to light ancient relics in the area overlooking the royal palace, an old theater in use in the Norman period, but seems to be built in Roman times. Could not miss a theater at the court of Frederick II, a great lover of art and literature, in the Sicilian school, and this, if not the only one seems to be the greatest. Theaters of a certain relief that the memory is not only the names. Among the most important for the history of the city remain the Teatro Santa Cecilia, Teatro Bellini, politeama Garibaldi. tratro Biondo and the Teatro Massimo. U n theater the music made by 'arch. Paul Amato in 1681, was demolished in 1827 site and a private theater in the villa of the Prince of Castelnuovo is today, in the grounds of this villa, now the second half of last century, is acting as an outdoor theater used to summer productions of the autonomous entity Teatro Massimo. A Theatre, most recently, The National, working as a cinema until recently, located in the same square in front of the Politeama, unfortunately hosts
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