stands in the way Castrofilippo, Kalsa district, behind the church of Maggione. The construction date is uncertain, probably in 1861. Conceived and designed by musician and composer Peter Cutrera, Maestro di Cappella, who completed it at his own expense in 1862. It seems it was inaugurated by the same Giuseppe Garibaldi June 28, 1862, and that has profited from this opportunity to encourage the stage number 10, then renamed to "lodge of the people", the shipment of Aspromonte, for the conquest of Rome as the capital of the new kingdom, the cry of "O Rome, or death."
The horseshoe-shaped hall, had 168 seats in the stalls, a total of 48 stages, arranged in three tiers and a small gallery.
was restored by the first of the 900 family Carini, new owners, housed mainly comic operas and popular shows.
In 1943 necessary after the restoration of damage caused by the bombings of World War II, his artistic direction was entrusted to Gino Buzzanca, uncle of the actor Lando. In 1951 he became, inexplicably, the third run movie theater and then saw him deteriorate before, venue for boxing matches and then storage of scrap and miscellaneous waste.
In 1966 it was restored thanks to the teacher Angelo Musco, with his great commitment and economically.
Angelo Musco, figlio dell’omonimo attore catanese, a quei tempi direttore artistico del teatro Massimo e regista, noto anche per aver tradotto in musica “ Il Gattopardo” di Giuseppe Tomasi di Lampedusa nel 1967,
con
libretto di Luigi Squarzina, risollevò il teatro da condizioni di totale abbandono.
Il Teatro Garibaldi divenne luogo in cui il maestro Angelo Musco fece convivere felicemente musica e prosa.
In 1968 The earthquake of 14 and Jan. 15 damaged the theater was in need of maintenance, but these were never completed. Also because the New Year of 1969 was less generous to the living and the art teacher Angelo Musco, just 43 years, leaving no heirs and his incomplete project or cultural.
In 1983 the City of Palermo gave to the cultural associations and social cooperatives.
Now, it seems, from the images shown that ; more than a restoration, have done work for a total reconstruction of the historic theater, without having left any vestiggia ancient.
Per una eventuale prossima apertura del teatro dai siti, del comune di palermo, a cui fa capo il
At the time of the viceroy Caracciolo addition to the Real Teatro Santa Cecilia in Palermo there was also the Theatre Saint Lucia, between the church of S. Mary's or Martorana, and the convent of Santa Caterina. He had taken its name from Joseph Palermo Valguarnera noble Marquis of Saint Lucia, who built it in late 1742 by enlarging the old, small, community theater, from the wooden structure of Travaglino or Travaglini (or fools), in existence since 1718 . The name seems also attributed to a character or author of burlesque comedy Travaglino said.
recalled to Naples by a Prime Minister, Caracciolo could not fulfill his dream, to build a new, larger theater, equal to those he visited, in Europe and thought to build out the door Maqueda, coincidentally where today stands the Teatro Massimo. The Marquis of Villamaina Domenico Caracciolo, died in Naples in 1789 after the outbreak of the French Revolution, which for some seems to have been the indirect cause of death.
In tale anno con l’invasione di Napoli da parte di Giuseppe Napoleone prima e in seguito di Murat , Ferdinando IV si rifugiò a Palermo con la consorte Maria Carolina d'Asburgo, sorella della decapitata Maria Antonietta di Francia. Fu proprio la regina Carolina che accontentandosi di un teatro più piccolo in confronto alle mire internazionali, del Caracciolo, s’interessò, con entusiasmo, all’ampliamento del Santa Lucia, al punto di farlo abbattere per la ricostruzione di un nuovo teatro sulle rovine di quel piccolo ma storico e quasi leggendario edificio. In suo onore, il nuovo teatro, fu a lei dedicato, proprio su richiesta del marchese di Santa Lucia, il quale aveva, tra l'altro, curato economicamente l’intera opera e ridotta la sua abitazione nella quale il teatro era inglobato, battezzandolo col nome di teatro Carolino. La differenza col Santa Cecilia, oltre alle dimensioni, più grandi, stà nella forma della sala che nel Real Teatro Carolino è a forma circolare, anziché a ferro di cavallo. Il Carolino fu inaugurato con particolare fasto la sera del 12 gennaio 1809 poiché la data coincideva col genetliaco di re, Ferdinando presente in sala con la regina Carolina reale e regale artefice della nuova sede della cultura Palermo.
Maria Carolina of Habsburg-Lorraine
After the unification of Italy, the theater was renamed definitely Carolino, Teatro Bellini, name given temporarily during the 1848 uprising, in honor of the musician from Catania, which was inserted in the eardrum a portrait on the balcony of the prospectus.
A modesto parere di chi scrive, avrebbe dovuto portare il nome di un altro grande musicista, che a differenza del conterraneo, fu per circa un anno maestro di cappella, direttore della musica e compositore delle opere: Gaetano Donizetti, che per il Carolino compose “Alahor in Granata-“ rappresentata il sette. Gennaio 1826, il cui libretto è firmato solo M.A. per questo motivo alcuni lo attribuiscono al musicista palermitano Andrea Monteleone, con il quale Donizetti ebbe in seguito rapporti epistolari, essendo stato il suo successore, ma ufficialmente l’autore può definirsi sconosciuto. Pare che per il teatro palermitano il musicista bergamasco abbia scritto anche una farsa: “Il castello degli invalidi, ” un titolo citato da tutti i biografi, per la caratteristica misteriosa che né della musica né del libretto e della trama esiste alcuna traccia e non si sa neppure se sia stata mai rappresentata.
Over time, this small, historic theater was transformed into a cinema for a period and then remained closed for years.
A pizza bar was and still is the emblem of the Piazza Bellini, occupying the main entrance and hiding the prospectus of the ancient and historic Royal Theatre. Today Bellini returned to his function of theater , as dramatic theater as
BLONDE branch of theater, even if the Teatro Massimo has used that space for small works, but the entrance is through the side door.
View of the prospectus and the theater, in the background the church of the Martorana or St. Mary's.
A Palermo after the staging at the Teatro del Parco di Villa Castelnuovo 12 September 2008, 15 to 25 May 2009, the theater was represented Zappalà Cin Ci Là- Cin Ci Là Operetta composta da Carlo Lombardo e Virgilio Ranzato prima rappresentazione: Milano, 18 dicembre 1925. E' ambientata in Cina ai giorni nostri, cioè loro, dei due autori, proprio negli anni in cui viene scritta. Una Cina avvolta da una nuvola rosa, di fiaba e poesia. La trama, è il complesso, difficile, sempre intricato argomento, croce e delizia, ma sempre difficile da raggiungere: l’amore! Che, come in ogni operetta che si rispetti, viene ulteriormente amplificato e condito di esagerazioni e lazzi vari.
Nel porto di Macao è arrivato un bastimento, un bastimento carico di A …A.... A.. Attori. Tra questi attori troveremo la protagonista della fiaba e, anche, del film che son venuti a girare, proprio lì: Cin Ci Là. Attrice cinematografica francese, nota per la disinvoltura nel cambiare mariti e specialmente amanti,con una facilità, allora non molto diffusa. Di Cin Ci Là, qua, a Macao ne facciamo la knowledge in a very difficult time for an 'actress. Why? - Why has learned that the film can not be run because we are right in Macao CIUN-KI-SIN.! -CIUN-KI-why? -According to the classical tradition of respecting each fairy tale there is always someone or something that disturbs the normal course of action and this time it is a local custom, in effect, become law. - After the marriage of a royal couple are all fun and suspended all work until everything will be done and what will be announced by the chimes, keeper of the royal pagoda or gazebo, to declare that all the subjects that the couple will be exchanged, (say), the first kiss. We can define the relative noble bells eponymous country, already explored by the two musicians in 1923. We, therefore, knowledge of newlyweds Prince cyclamen, delicate as the flower, whose name it bears, and more of a white lily and Princess Myosotis, more delicate flower. Myosotis, in fact, it is also the gender of the family Boraginaceae, including many species of herbs including the "do not forget me." This delicate flower, it does not seem very conscious of being a princess ready for the wedding, in fact, is very upset at leaving her doll. Are compared in the same operetta, he a donkey, for his insight, and she a goose, perhaps for the same reason. With a pair like that ever since last CIUN-KI-SIN? Myosotis is also the daughter of Mandarin, Prince FON KY. FON KI? .. Who was he? Let's just say one of the excellent EX Cin there there than in Paris called him Papi, given the age difference, and that has also maintained very generously, and he said he had been introduced to her the mysteries of ... Western ways. In Macao Cin There BLUM There he met his husband or ex, but in those days divorce was not fashionable, so in desperation he took refuge in Macao where, just to survive, as adviser to the Mandarin, it was believed a eunuch, and thanks in this particular could do to tutor the Princess and the results are not quite satisfactory. But there comes also Petit-Gris eternal love, without hope, the beautiful Cin There There, che l’ha seguita fin lì o vi si è trovavato per caso, cosa molto, ma molto improbabile. I due sono gli animatori dell’operetta e danno un colore che sarebbe troppo pallido se affidato, solo, ai due inesperti sposini che si raccontano la favola delle tortore. Per prima cosa, solo per dimostrare la loro reciproca attrazione, i due si sfidano ad uno spietato incontro di Box e Cin Ci Là mette al tappeto Petit-Gris, con un... Bacio. Sapendo della presenza della sua vecchia amica e presa coscienza delle gravi inesperienze dei due sposini FON KY cerca di correre ai ripari affidando il principino the indisputable expert lessons CIN CI LA '.
CIN CI LA PETIT GRIS and had already tried, unsuccessfully, to give some indication to the two principles, seeing somewhat confused.
Upon receipt of the official from his office, Papi, cinch There, obedience is also convenient for a financial settlement, he devoted himself with special zeal the "formation" of Prince Cyclamen. At this point taken by an acute attack of jealousy, PETIT-GRIS MYOSOTIS follows the desire of the princess, educated, able to follow the husband of adultery on the way to her unknown, but PETIT-GRIS has in mind his beautiful actress and begs and at the same time, complains lovingly , singing the life motive operetta: O Cin there there ..... O "Cin We There Mordi, gnawing, devouring, Tormenta while Chi ti vuol bene, Di fiori son Le tue catene....."
C in Ci Là,mette in subbuglio, anche le cinesine, perché vuole Europeizzarle. Le lezioni ai due sposini saranno così efficaci che il carillon suonerà per ben due times but not to announce the actual royal kiss, but for what was to be only a dress rehearsal, with the two professors. CICLAMINO, however, is really in love with CIN-CI-LA and wants to marry her and this has to suffer a bit 'to dissuade him and convince him to play the chime only with the his bride. In the end love triumphs, the right one: the music box will play a third time, and this time will come, finally, by the Gazebo MYOSOTIS princess and the prince CICLAMINO, between the joy of the people the joy of FON-KY and the satisfaction of disabled teachers Cin There There and Petit-Gris, Petit-Gris, even if that film is there there, let us say, they were tired, because of CIUN-KI-SIN, he is unable to join cor d 'Bold Lover "that going to sea as " colorful lanterns "
" good question to kiss in the dark night " . I the carillon compared to the poor relations of the "Village Bells" confirm the withdrawal said: "Who does by itself makes for three". Cin We There could simply Petit-Gris, but her husband riincontrato BLUM he would not waive its rights of a spouse, is the bell'attrice multiply or divide, generously, for the two?. In any case 2 = Petit-Gris + BLUM divided or multiplied by 1 = Cin there there will be always equal to 2 = (Petit-Gris and Blum) and Cin There There? Haunt even those who loves "His chains are made of flowers." If we reflect a little about these fairy-tale plots, as in every fairy tale we find a moral. Cin We There might represent, even if it is just presented as such, but in an allegorical Let's see, true love, that is that feeling that everyone is looking, but none can get to win, which always escapes. Petit-Gris is the perseverance that this remains true to his great love. If he did play the carillon as MYOSOTIS Cin CICLAMINO there with us was a metaphorical act of love that causes him to go even against their own interests for the sake of Cin there there. What was said, could be the subject of a Christian reflection or examination of conscience. We are always ready to love others to take risks knowing part of ourselves? not avoid these shows so terrified that some bigot, but we meditate, even on what may appear at first sight superficiale, tenendo presente quanto dice San Paolo in 1Cor. 10,31 " Sia dunque che mangiate sia che beviate sia che facciate qualsiasi altra cosa, fate tutto per la gloria di Dio. "
is a work full of intrigues, tortures and difficulties since its first staging, Verdi, in fact, he found many obstacles to achieve it, we will try to summarize the story hour. The Teatro San Carlo in Naples commissioned Verdi to January 1858, what will be its twentieth work. The Master began to reduce the Gustave III ou Le Bal Masque, Scribe, performed in Paris in 1833 to music by Auber, loosely based on a true story in 1792. Is, in fact, assassination of Gustavus III of Sweden, at the hands of this Anckarström Johan Jacob, a former army captain, expelled for slander towards the king. The work had already been set to music and was fascinated Bellini also Mercadante libretto by Salvatore Cammarano, with the title of "The Regent", originally developed in Scotland of the sixteenth century. Antonio Somma, commissioned by Greens in the drafting of the book, agrees with the condition: "I would like - the poet writes to Verdi - if you do not mind, to remain anonymous for this job, or make up a pseudonym. So I will write with more freedom. " Somma had officially requested anonymity to avoid signing a non-original work, not his, but in fact there were other reasons: Sum, had participated actively in Venice, to rebellion against the Austrians and was guarded by police Bourbon. Given these assumptions, including, in another light, because the poet would prefer the anonymity of having to deal with a story that had as a conspiracy plot and ending a regicide. When Green decided to put the book of his Gustav III, the Bourbon censorship begins the battle to prevent the composition of the work. He asked Verdi to change too many things to become the King Duke, as long as the story takes place must be anticipated that they believed in the magic, the conspirators must act solely for personal reasons. When Giuseppe Verdi arrived in Naples in January 1858, Napoleon III suffered an attack and censorship is even more severe. Green is no longer willing to distort, further, his work, as are required. Does not fulfill the contract terms and the Teatro San Carlo, is the cause. Green responded with a lawsuit for damages. The legal battle ended with a withdrawal of charges by the Theatre and a commitment by the composer to prepare another work by the autumn. Gustav III thus becomes "a vendetta in domino " and then " Adelia of Adhemar," wants to remember the first performance of La Scala in Milan, but the Greens gives the Teatro Apollo in Rome, here, the complaint papal poses as the only condition to carry out the action outside the European courts. Finally, the work is staged by the name of
"Un Ballo Maschera a" February 17, 1859. The opera was to be set in Sweden, not to arouse suspicion, he jumped back in time a hundred years and moved in space, even overseas, Mass., to Boston, but with the setting of a court typically European Union, and who sacrificed himself as a victim, is an anonymous, unidentified, Richard Warwick, who was elected to the title of count, hypothetical British governor of Massachusetts. Some commentators and critics approach the figure of Richard the libertine Duke of Mantua in Rigoletto, which we will later also if his soul is more noble and his adultery only fantasy. The murderess Jacob Johan Anckarström Renato becomes a close friend of the governor and his advisor. Amelia is supposed to, only the result of romantic composition already Eugène Scribe, the sorceress Ulrica in no case holds that name, typical of northern European countries, is the woman who, in a sense, marks the fate of Richard and named after the mother of Gustav III: Luisa Ulrica of Prussia , among these was a most bitter political enmity that the relationship between mother and loving son. A critique of the work considered to be maudlin tale of love and the approaches to the beam, but this writer disagrees with the comparison. "The Ball" has a more complex plot and the bad and the evil are mixed with love and friendship. Plots, alliances, love, betrayal live in a setting of absolute respectability. For the record, we must say that after 146 years as opposed to the opera, commissioned by the San Carlo, was finally represented. The Gustavus III went on stage, without the intervention of the censors, January 18, 2004 at his San Carlo in Naples. Critics, however, noted that the complex events had positive effects are the composition of continuous transformations in which Verdi has improved, not just the first draft of the work.
we can see the contrasts, the passion, the mystery that surrounds the work that alternates moments of dark to the most cheerful or sentimental. Now, silence, after the overture, the curtain opens on
...
The Act
Since opening chorus, seem to distinguish between two opposite feelings, with two different musical expressions but united in the same melodic track that make it up and complement each other, fusing together. We the followers of Richard, who praise him and honor and conspirators, among them Samuel and Tom, mixed with the first, who plot and curse. Good and evil coexist, as in the courts of kings in all of us. Oscar, the little page of Richard enters the stage announcing the entrance of the count that occurs immediately, affable with everyone and manifests consciousness, and its duty to its responsibilities. Oscar gives him just the invitation and the guest list, the upcoming masquerade ball. The application of the count, "you have no beauty forgotten" depicts him as a very gallant man who does not mind at all, the fair sex, is perhaps more appropriate to say beautiful women, from this expression, some critics, the approach, the Duke of Mantua, of "Rigoletto." Reading the list of invitees, Richard sees the name of his beloved Amelia, his dream, the romance of a bygone age, which go into a trance his soul and his whole being. Somma also had to be ecstatic when he conceived the beginning of the romance because he used an expression, at the time, a little 'weird, but then re-evaluated, possibly by the advertisers of detergents, will say to Richard, speaking of his soul " L to revise the ecstasy beaming pallor "(that is so white that shines whiter or can not). At which point all those present retreat, no longer the center of attention and the conspirators, mixed together follow them without considering the right time to act. After , his romance Richard also dismisses the importunate Oscar, to keep in ecstasy alone. On leaving, the door, giving way to Oscar Renato entering. Renato, mulatto (no historian and critic, has never understood what he was doing a Creole, from England, with that social position in Boston in those days), Renato is the secretary and faithful friend, Richard, and also, guess what '? .... Amelia's husband! Ricardo, herself, Amelia thinks, we do not know how, but when Renato, bends greeting: "Count ..." Richard trembles as if it had been discovered in adultery "(Heavens groom her!). Renato asks the reason for his trouble and Richard replied that thoughts are personal secrets and further investigation Renato avoids the answer to this point, Renato, invading the privacy of his friend tells him: "I know all the reason I Dirolla ... .. "completely terrified Richard asks him to continue to understand what he knew, so Renato puts him aware of the plots that weave against him. At this point. Richard, breathing a sigh of relief: "Ah, and what you talking about?" He adds, "Others do not know?" I think that Richard is alluding to the conspiracy Renato is ready to show the names of the conspirators. A Renato enough to know that Richard has not read his thoughts and refuses to know it would otherwise have sentenced to death and Greens do not want to finish the work before. Richard is expressed, then, by an act of faith mixed religion and politics: " my love of the people look at me and protect me God" . He would do better to entrust everything to God! ; The romance that follows, Renato, expresses a prophetic warning that, at that time, not thought to relate to himself: " Dell ' love is more alert hate his victims with blows . Without even asking permission, Oscar breaks into the scene and announces " the first judge." Thus begins suddenly, a cause, or at least an investigation, the judge presents a paper to the count, containing the request of exile for a woman that "
Renato disagrees, fears an attack on his count, Samuel and Tom think, in fact, there to make their murderous plan.
is a sum that Scribe and Verdi himself are not entirely unrelated to the esoteric and superstitious tendencies, from how to express themselves in this regard, some critics, but here s'inneggiava and woos and Satan, even if unintentionally, the authors, denunziano nel racconto, le cause e gli effetti dell’occulto da parte di chi non rispetta il primo comandamento. Questa non vuole essere una bigotta, lezione di morale Cristiana, ma è, purtroppo, la verità che a chi non crede, e, purtroppo, non solo a loro, piace ignorare.
Seconda parte primo atto
Le luci si riaccendono nell’antro di Ulrica. Il coro affolla la scena nelle vesti di un popolo curioso e speranzoso di ricevere consigli e buoni presagi, coscienti che questi vengono dal demonio che è invocato da Ulrica “Re dell’abisso, affrettati”. Qui possiamo vedere raffigurati i creduloni, superstiziosi e i maghi che oggi non sono più un caso isolato, ma pullulano nelle città e nelle televisioni, con la differenza che questi, che oggi si camuffano come devoti a Dio e ai Santi, in realtà sono, come Ulrica, intermediari del demonio. Tra la folla si mischia Riccardo che considerato e trattato come un popolano, segue, divertito, gli eventi. “Su fatemi largo saper vò il mio fato”. È Silvano, un marinaio del conte che denuncia il fatto di non aver ricevuto mai un compenso adeguato. La maga prevede per lui: ” In breve dell’oro ed un grado T’avrai”. Riccardo per non far passare Ulrica per menzognera, nasconde in tasca a Silvano un rotolo, su cui aveva scritto poco first and gold because they do not refute the words spoken. A knock at the door, is a servant of Amelia, which is recognized by Riccardo, this hearing asks the sorceress but secret. All have turned away except Richard, who is hiding in the closet. The request for Amelia is further complicated by the verses of Antonio Somma, it seeks to forget ("Peace ... . pluck from his chest"), Richard (" who longed so fatal and conquer! " " Him, all that, the referee put heaven "). Ulrica prescribes a recipe, a filter that will have to prepare herself. We should seize the same night una magica erba che cresce in un luogo funereo, il campo dei giustiziati ,“ove la colpa scontasi coll’ultimo sospir.” Riccardo che ha ascoltato il tutto decide di seguirla, per incontrarsi, con lei, col favore delle tenebre. Il popolo da fuori, impaziente per l’attesa, chiede alla ” Figlia d’Averno ” d’aver riaperta la porta, così rientra e con esso i congiurati Samuel, Tom e Oscar, ufficiali e gentiluomini, tutti travestiti nei modi più bizzarri e a questi si unisce Riccardo che, dopo aver silenced the little page that asks the sorceress trying to predict the future, "Sybil Or you everything you know, I speak of my star . The count comes as a sailor, a complex history and a great attachment to the sea. This may be the synthesis of the intricate lines of Sum. We then move on to the palm-reading and Richard asks Oscar that had crashed first, to give him precedence. Looking at the hand Ulrica recognizes "the right ... a large, lived under the star of Mars, " but do not want to go further, having exclaimed, "Unhappy , " then gives to the insistent questions of the count, " Well, soon die " not in battle, how does Richard, but " hand of a friend " and concludes, mixing Heaven and Hell " So there is written ! . "Riccardo, to the point, seized by uncontrollable fit of laughter, says the news with the playful cabaletta" starting the beautiful concert interrupted by the same Richard, who calls the name of his murderess, Ulrica's answer will be: "Who first clasp your hand today " and Richard's hand because everyone tends to prove the oracle a liar. No one dares make that hand is, however, close by Renato, who arrives at that moment and it is dark. Seeing that greets Richard Renato everyone is convinced that "the oracle lied." The Count reveals his identity to wonder Ulrica, (odd for a witch), presenting Renato as his "most trusted friend" and announced that they wanted to ban, but reassures her and gives her a bag of money, but even this recognizing magnanimous warns him that is surrounded by more than a traitor. Richard adds, "No more
" seeing and the act ends in triumph led to shouts of jubilation, dire prophecies and hidden plots.
Act II The curtain opens "sull'orrido field still dimly lit by the moon, Amelia, trembling with fear for the place where he is, that the thought that once completed the mysterious and uncertain mission, he will lose the love for Richard, as if she had a husband, but force may be used for gathering water the grass, as recognized by those who know that, since the witch had described. Sounds midnight, do not leave unused orchestra bells, and imagine the fright of Amelia when she sees rise "... the head of a buried" in the field of the hanged. The head is emerging from the shadow of Richard, who is revealed to the woman, and begins to woo her in almost a Rossini crescendo, already knowing her feelings for him. The music beats, cleverly, the contrast, though fake, between the two like a delicate duel. It is pointless to defend the poor and hypocritical of her: "I leave am the victim moaning " pretending to care his name and all the conventions that had not considered before, fueling the love, adultery, for the count. After the romantic duet and the confession of Amelia, to reciprocate his love, Riccardo spin 'remorse, friendship, all "except the love!" we can say that what remains good, attentive listener is just masterful music by Verdi. The story and fate hound, guess, a little, who suddenly comes out in the moonlight? Just who was a little earlier denied as a friend and husband. Renato is ongoing research to help him flee the Count, as he knew he was in the middle of nowhere that is the mystery of melodramma. L'amico incita il conte a fuggire, indicandogli la via da seguire, perché i congiurati sono sulle sue tracce. Grande è lo stupore, la confusione dei due amanti, dopo aver capito che Renato non era lì per pigliarli, perlomeno a sganassoni e si tormentano, mentre Renato controlla i movimenti dei congiurati, indecisi se fuggire insieme o seguire il consiglio di Renato, che per prudenza, consigliava di separarsi, poiché la dama, a lui ancora misteriosa, avrebbe indicato ai congiurati la loro preda, poiché sapevano che il conte si accompagnava con “ un’ignota beltade ”. Quando il fedele, non ricambiato, amico e marito rientra in scena Riccardo gli affida la dama invitandolo, not to ask " neither said nor a look " and escort her to leave the gates of the city going to the opposite side. Renato as a loyal and devoted friend, but also stupid and makes oath already heard, even, "The footprint of the steps ruthless", with frantic calls Amelia Richard to leave. With regret of having betrayed his friend the Count thinks that if it were not for the presence of Amelia, would address the conspirators. Renato Commons Amelia invitation not to fear, even when the lady, mysterious to him, is startled: "It
ccoli
", seeing the traitors, recognizes his voice, the conspirators are approaching threatening the couple, and when they realize not to be in front of the count, but to his credit are disappointed. One of them, Tom, wants to see the face of the lady but opposes Renato and when all are hurled against Renato, with their swords already drawn, Amelia drops her veil and involved "no, stop" the first to wonder who is the husband after the first moment of loss, repeats the name of his wife with harsh tone of reproach and menace. Among the derision and laughter of the conspirators, the pity, of Amelia, the prevailing anger, resentment and hatred of Renato, Samuel and inviting Tom to his house on tomorrow morning ", while pulling his wife with him to the third act, the curtain falls.
Act III
when the curtain rises on the scene that continues to drag Renato Amelia. found that the fault is so severe that the underwear: "Every previous is useless now, blood is demanded, and you die" are worthless and the reasons for the reassurance of the groom not betrayed him, but he has nothing to say, as all fools, blinded by anger that say "blood is demanded, and you will die" and "blood is demanded, and you die." Yields only the pleading di lei quando gli chiede di rivedere “L’unico figlio mio” e finalmente la lagna ha termine. Renato rimasto solo ripensa al suo primo impulso omicida e si convince che non è lei che deve uccidere, ma altro sangue dovrà scorrere e fissando il ritratto del conte esclama:
that leads to all the invitation to participate in the count, the same evening, at the masked ball has already been programmed. The classic cheese on macaroni, for the conspirators who see no better place to act. So the Oscar cabaletta that breaks with his easygoing presence that dramatic moment decantndo the upcoming holidays, becomes a quintet where everyone expresses their feelings. Amelia conscious that he had marked the fate of the beloved, think of pulling out the ticket alert Riccardo without betraying her husband. Renato already sees his rival on the ground surrounded by his blood, and Samuel and Tom already see accomplished their "vendetta in domino . Released Oscar, Samuel Tom and Renato decided to recognize the password, this is: death. So turn off the lights up again in the private practice of the count that has already decided to terminate his love torment giving up his dream offense. To avoid any temptation, in fact, transferred Renato, with his wife in England. Oscar wears a sheet by the count of an unknown woman. In the paper it is written that during the dance will make an attempt on his life, but tells Oscar that he participate in it too because you do not think I'm afraid, and urges the page to go before "To rejoice with me at the party." The scene changes and music introduces the viewer in the middle of the party. Among the dancers move also recognizes that the conspirators and Renato and stop accusing him Oscar, using a wicked strategic tactic that they have abandoned the count, who was sleeping to the party. Oscar did not know whether the warning reached to Riccardo, the Count replies that there is present, but that does not satisfy the most unlawful, Renato curiosity to unravel in what form was disguised. Oscar, with its character of a little boy 'insolent responds with a mocking song "Oscar knows, but it not say," Renato
must resort to petty lies, saying that having to report "serious stuff" and that will fall on him fault if he does not grant to talk to him, Oscar has to give "wears a black cape with a pink ribbon on his chest." The notes of a delicate minuet is the mysterious, the crowd of guests, a meeting between Richard and Amelia, but despite the Count receives an invitation to escape, as in any self-respecting opera, with Amelia, go wild in a delicate duet, just to waste time and result, so the possibility of recognizing Renato Richard and approach him. Just when Richard here, after informing the mysterious, for others, a mask of his decisions concerning her and her husband gives her a last farewell at this point Renato had only heard the last word, stick the dagger in gives her chest, "and you get mine." Luckily for Renato Richard does not die instantly and have the time to stop the guards and guests, ready, almost, to lynch the murderess.
Thus fulfilling the saying that describes the opera as the place where a man who was stabbed , instead of dying, he sings, effortlessly, In this video you shoot, as Gustavus III (not for nothing that the issue is Swedish!) so listen to the beautiful romance of Richard, who, before dying, swears her murderess " in the arms of death" that his wife, although he loves is pure God listen to me "and adds that having used" a novel burden ascended, would have to leave with her. Returning, then, almost, to court Amelia adds: " I loved her, unharmed but I wanted your name and your heart! " see some 'nice to find that, while the night before he was ready, without a second thought to extinguish remorse and friendship, but this decision is the conversion of Richard that impulse, that could not have imagined he had reached already knowledge of his friend. Renato taken, by remorse, he feels "much-maligned on earth, twisting, after the fact" of what blood and revenge which makes me thirst the infamous error "Amelia also feels the heart devoured by remorse of love divided" bleeding between the guilty and the victim dies " . All remorse and repentance, now useless. Great havoc and commotion of the conspirators even when after a short but intense concert, Richard as an actor leaves the stage and, I want to get away from big and large, before bidding farewell to his sons and beloved America with a large acute when he can, but always remarkable for a dying man, almost bending over, even if by land, to the audience that saw him in the stage of life he concludes: "Thanks to everyone : Mr. here are, shall perform all the my forgiveness "so the guards ready to arrest the conspirators and Renato can only conclude joined the chorus final " Night of horror "on the rollers
drum and timpani that accompany the closing of the curtain.
Conclusion That's the end of the work, while artists will bend over to pick up the applause, we can define the character of the characters, but nothing will, this analysis, if not attempt to identify these characteristics, even in ourselves. Richard mild, just, if we identify him Gustavus III we see under torture and why he has enemies, forced to use force to assert its instinct for peace. In this work, Richard has the fault, just an infatuation for the wife of his most faithful friend, he likes to have fun and do not believe in magic, possibly even with the devil, and almost challenge him going, just, to provoke him to his mansion. Here is a man of good principles, which plays an important role and should be the example for others, reveals a childish character, affectivity estrinsecherà repressed, even if only partially, with the wrong person at the wrong time, a frustrated, impulsive, easy to enthusiasm until the temerity, not for nothing has the page, Oscar is the child presumptuous and nuisance, which does not command the contrary, we can say it is, almost commanded. In defense of Ulrica witnessing a complete absence of religion, and the lack of aware of the difference between good and evil, but to know the future, no matter who it predicts will agree with Lucifer, the important thing, even for Richard, is to satisfy their curiosity. Oscar for the work is also the element that streamlines brilliant, even from a musical standpoint, the tragedy, which, then, will he, unintentionally, to cause. Renato, is instead the wise, prudent holding all'incolumità friend. It is the conscious and careful, caring and faithful, but from an objective, no real facts, is blinded by jealousy, not entirely unjustified, for adultery only in the ecstasy .... loses his temper and is guided by quell'impulsività instinctive which will overthrow all the goodness of his being. Who would not be identified, even briefly, in one of these characters can be sure. And Amelia? .. . Amelia is in all this, the classic woman, fickle in his feelings, who plays the part of the poor, who pretends to escape what he really wants to producing only the damage, can be defined as the real bad opera disguised as weak naive! You can not lodarela for not bowing at once, his adulterous feelings because, in reality, his desire was and had it not been for the pressure of events, would gladly have betrayed her husband. Going to be freed from the witch His feeling flaw nick the first commandment is not to be able to manage itself, both
as dramatic theater as 
Forme di magia 